Karl Schroder was very close in significance and creative style to Friedrich Grutzmacher. A year later, he was admitted to the Dresden chapel, but because there was no violoncello vacancy, he entered as an oboist first.īesides his own compositions, Dotzauer’s repertoire included concertos by Romberg, Arnold and other contemporaries. His father was a local pastor and an ardent music-lover. Among Haussmann’s editions of classical music, his edition of the Bach suites for solo cello deserves special notice, as it is distinguished for its closeness to the original text. The picture of the position at the instrument furnished in the Method is in many ways similar to that of Dotzauer’s but it is more natural, although the low elbow position is still characteristic not as low as with Romberg, but lower than with Dotzauer. Kummer gives fewer stroke variants than does Dotzauer, but they are more carefully selected and methodically arranged. It was accompanied, of course, by the struggle between different tastes and trends, a struggle by the advanced musicians for profound content of art, against middle-class methoe and artistic shallowness.
Search WorldCat Find items in libraries near you.ĭo you like the artist? At the same time, in methodd respects Dotzauer takes an independent course. He gives the distribution of the bow needed due attention.
Free sheet music : Dotzauer, Justus Johann Friedrich – 3 Volumes – Violoncello Method (Cello solo)ĭotzauer played in the Dresden chapel for forty years from until as principal violoncellisttaking part in symphonic and operatic performances. Although the incontestable artistic value of the suites was acknowledged much later, Dotzauer’s role in the rebirth of these works should not be underestimated, especially if we remember that Bach’s violin solo sonatas and partitas in Ferdinand David’s edition appeared only in In both his playing and the violoncello Method that he edited inLee combined features of the German and French trends. This material is primarily schematic and is of little interest from the musical point of View, although the cello part is accompanied by a second cello, which makes it slightly more musical and helps develop the habit of ensemble playing.īy drouet visitor04 Oct at The merit of the collection is that instead of schematic and formal exercises for building up performing skills there were useful works or fragments from them, which could interest a pupil from the artistic point of view as well. Your Web browser is not enabled for JavaScript. His editions of the cello sonatas by Marcello, Bononcini, Pasqualini, Cervetto, Gasparino, Vandini, Lanzetti, Grazioli, Boccherini and others were used extensively in concert and teaching. Dotzauer, J Friedrich – Method for Cello, Volume 1 – Cello solo – edited by Johnannes Dotzauer, J Friedrich – Studies for Solo Cello, Volume 1 (Nos 1 ). Dotzauer Method for Cello Solo Volume 1, Edited by Nathan Stutch Published by International Music Company, No 46 pages, Unused old store stock in.